Apr 30 2012
Recommended: Lynne Arriale – “Solo”
Following up on her strong quartet album Convergence, pianist Lynne Arriale returns with a solo recording—a risky venture for any artist. In an ensemble setting, a musician has collaborators with whom to work and exchange ideas before the record button is punched, and more importantly, while the session is on the move. In ensemble play, a musician’s unformed ideas or sound can be made whole by the other musicians in the ensemble; this is a big reason why group improvisation is such a glorious thing in jazz, that the whole is greater than the sum of its individual parts. Everyone brings something to the moment and it all fits together. However, in a solo project, the musician is completely alone, his/her artistry naked. There is no one to talk to but the listeners themselves. Solo albums are revealing moments, and it is because of that that, when they succeed, they elicit such an emotionally profound reaction.
Which brings us to Arriale’s Solo.
Your album personnel: Lynne Arriale (piano).
The opening notes of Solo are symbolic in the ways that count most. “La Noche” begins with discordant notes in descent, a sense of dramatically falling down a flight of stairs. Arriale, however, never loses her balance, never hits ground. Instead, she exudes a grace and control that epitomizes her sound throughout. Can one even fall if they breathe elegance with each step and note? Is it falling or simply flight? Arriale gives no insight into these questions, but provides the thrilling sensation of both.
Much like a brief glimpse, the subtlest touch can convey substantive and heavy emotions, as does Arriale with her expressions on piano. Solo is never fussy, never overbearing. On “Dove,” a tune of sublime beauty, Arriale gets everything it is possible to get out of each note without meticulously wringing them dry or ponderously studying them from every angle. Arriale has attained such a level of mastery in her approach that all she requires is a brief moment of polish before she moves on. It would be easy to describe it as effortless, but accuracy would be better honored by supposing that hard work and deliberation has resulted in a near subconscious fluidity of motion and thought. Said differently, Arriale knows what notes she’s looking for and can find them right quick.
Solo is a mix of originals and covers. Two of the selections come from Thelonious Monk. On “Evidence,” Arriale presents the composition as she sees it, no more, no less. While she passes on attempting a groundbreaking turn on Monk’s version, she also avoids doing a by-the-numbers rendition. As such, like the other selections, the tune settles naturally into the flow of the album. The album flow, from first note to last, remains undisturbed, with Arriale alone at the center of it all.
It’s all about the elegance.
Released on the Motema Records label.
Jazz from NYC.
Download a free album track at AllAboutJazz, courtesy of the artist and label.
Available at eMusic. Available at Amazon: CD | MP3
*****
My review of Lynne Arriale’s Solo was originally published at AllAboutJazz)
Apr 30 2012
Colin Vallon – “Rruga”
My review of Colin Vallon‘s Rruga has been pubbed over at Music is Good. After the lead-in paragraph, you can follow the link to read the read of the article at MiG.
*****
The ECM catalog is filled with piano trio albums of austerity and minimalism. For a piano trio to approach an album with a Doing More With Less minimalism is a daring venture, because the high risk is a drowsy album that ends up sounding flimsy and thin or, worse perhaps, lounge music for the late night dinner set. It’s not an easy thing to do, the peaceful piano trio recording.
The choice of notes has to be impeccable, since there ain’t gonna be as many to offer the listener. Honor has to be paid to the silence, and used as effectively as the sound made from the black and whites. Bass and drums have to be more than just tools of accompaniment, but in the framework of the quiet piano trio, they need to be sure to only use their Inside Voices. And then there’s the compositions themselves… (read the rest of the article, HERE, at Music is Good).
Your album personnel: Colin Vallon (piano), Patrice Moret (double bass), and Samuel Rohrer (drums).
Released on the ECM Records label in 2011, and one of the year’s best.
Jazz from the Bern, Switzerland scene.
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By davesumner • Jazz Recommendations, Jazz Recommendations - 2012 Releases • 0 • Tags: Music is Good news, Recap: Best of 2011