[Updated: November 27, 2014]
I’m obsessively focused on jazz in the present tense. Every week, I scour the jazz new releases listings for anything that sounds interesting. I’m all over the self-produced and small-label releases.
I write a weekly article for Wondering Sound (which was spun off from music retailer eMusic.com’s original editorial blog) in which I recommend new jazz (and related) recordings. I’m the former AllAboutJazz Download of the Day editor… some of you will recognize my name from that stint. I also sporadically write for Music is Good.
I also write fiction novels, though that’s not the reason you’re viewing this page right now, is it? More relevantly…
I’m not a reviewer or a critic. I’m a recommendation engine. I find the best of the best and I get the spotlight on it. I write about the music as best I can, but my value to the scene is in the search, not the scribing (see? awkward word usage). I’m not gonna be trashing albums or musicians on here. There’s too much great music out there to be wasting time talking about music I don’t like. But like anyone with an opinion, I can be abrasive, so don’t expect a series of fanboy posts, either. I am a jazz advocate. I love this music.
My inbox is always open to jazz musicians and labels. If you want me to review your album for this site, go ahead and contact me and we can talk about it. If you send me a promo cd, the only promise I can make is that I’ll give it a solid listen; anything after that is reliant on my personal taste in music and the whims of my schedule. I should warn you, I’m pretty much flooded with emails and promo cds on a daily basis, so in many instances, I never respond to email queries. I’ll read the review request and listen to the music, but if it’s not something I plan to write about, I just move on to the next album. I know this seems rude, but time is so scarce that I have to cut many things out in order to get around to listening to all the music… email responses is, unfortunately, one of the things that had to go.
Before contacting me about writing an album review, you should read this column first —-> LINK
In summary, your request for review should be comprised of the following items:
- A subject line of: Review request- [Artist Name] – [Album Name]
- A link to a Soundcloud/Bandcamp/Artist Site/etc page that I can stream the album in full.
- A link to where I can immediately download the album (if necessary).
- A one-sheet or an equivalent that tells me a little about yourself and when the album is going to be released.
- Any other links that you think would be helpful (label, album personnel, retail, videos, etc). This is optional; don’t sweat it.
If I need a copy of the CD, I’ll request it. I know those things are valuable to you, and I’m not gonna ask you to send one unless I think there’s a chance that I’ll need it to write something up.
If you’re a label or PR rep, and you would just prefer to mail me CDs, then just say so and I’ll send you my mailing address.
Something very important to note (and this may not be definitively stated in the column linked to above)… there’s almost no chance I’ll write something about your album on my site if I can’t embed an album track with the recommendation. So, have an album track uploaded to Soundcloud or Bandcamp or Vimeo before even contacting me. If you want to do a Private Soundcloud upload and email me the code, that’s totally fine. But I am quite firm in my requirement of an embeddable track. No matter how strong my reputation becomes and no matter how well I might write about your album, nothing will get the listener to follow the retail link and buy it than hearing the music itself. If you have any questions about this, don’t be afraid to ask. I’m happy to go through your various options in more detail and talk you through them.
Also worth noting that the embed requirement does not apply to the Wondering Sound column. I’ll listen to and write about any new jazz release that I think should be included in the column regardless of any music being embeddable.
I am available to write liner notes, artist bios, and other featured content.
I am beginning to offer promotional opportunities on Bird is the Worm. If you are a label, artist rep, or artist, and would like to discuss proposals, please feel free to contact me. Rates are reasonable.
I occasionally hang out at the eMusers forum (www.emusers.org) and shoot the breeze about music. It’s a small forum full of members with great ears, great and varied tastes in music. Like a forum of Ted Gioias.
Thanks for visiting Bird is the Worm.