Nov 10 2014
Recommended: Ritmos Unidos – “Ritmos Unidos”
An outstanding sophomore release from the Ritmos Unidos ensemble, who masterfully illustrate just how insufficient the tag Latin Jazz really is. Combining influences of Afro-Caribbean, Cuban, Santeria, Yoruba, Portuguese, and the carnival of Trinidad & Tobago, the varied textures just explode from the speakers with a liveliness that is pretty damn addictive. Comprised of members from Indiana University’s Jacobs School of Music and led by percussionist Michael Spiro, this is the kind of album that never gets old because it keeps revealing something new with each listen.
Renditions of Wes Montgomery’s “Road Song” and Wayne Shorter’s “Water Babies” are plenty nifty, but it’s the three-part “Ochun Suite” that is the real winner on this winning album. It’s an impressive feat the way in which the ensemble bridges the divide between unconventional and traditional while also finding a way to slip in some catchy passages. Part One of the suite, “Fragments,” expresses different facets of beauty as would a prism reflecting sunlight as it slowly turns in place. Part Two “Chaweleke” switches between moody and cheerful expressions while riding an inviting groove. Part Three “Iyese for Ochun” is the exclamation point, delivered direct.
The thing of it is, even with all the different influences and expressions, this album is supremely easy to connect with, and if you’re looking for a good entry point for exploring the general category of Latin Jazz, this is an excellent route to take.
Just a very strong album.
Your album personnel: Michael Spiro (congas, bata, hand percussion), Jeremy Allen (upright & electric basses), Jamaal Baptiste (piano, keyboards), Joe Galvin (steel pans, bata, hand percussion, background vocals), Pat Harbison (trumpet), Nate Johnson (tenor sax, background vocals), Mike Mixtacki (drums, timbales, bata, lead vocals), Joel Tucker (guitar, tres guitar), and guests: Wayne Wallace (trombone), Liam Teague (steel pan) and Kevin Bobo (marimba).
Released on Patois Records.
Jazz from the Bloomington, Indiana scene.
Available at: eMusic | Amazon CD | Amazon MP3
*****
Some of the opening paragraph was used originally in the weekly new jazz releases column I write for eMusic’s Wondering Sound, so here’s some language protecting their rights to the reprinted material as the one to hire me to write about new jazz arrivals to their site…
“New Arrivals Jazz Picks” reprints courtesy of eMusic.com, Inc.
© 2014 eMusic.com, Inc.
As always, my sincere thanks to eMusic for the gig.
Nov 11 2014
Recommended: Gonzalo Levin Octeto – “Gonzalo Levin Octeto”
A terrifically strong debut from the Gonzalo Levin Octeto. On his self-titled debut, saxophonist Levin has created an environment in which each musician is able to shine brightly as soloist and ensemble member alike. There is a great sense of excitement each time a soloist rises up from the surface, gives voice to its thoughts, then descends back down to rejoin the group dynamic. But the best moments are when the group dynamic rises up to the heights attained by the soloist to regain unity. It’s an approach that keeps the ear on its toes and wondering where the next big motion will originate and in which direction will the next lively surge head.
Some album tracks have an eye on the present while others an eye on the past. The opening melancholic tones of “Airun” and “Evolución” that coalesce with the larger octet sound fall squarely in the former category, whereas the abiding warmth of “Calma,” “Luz” and “Allegro, Vivace e Con Brio” echo a hard bop era even as the ensemble shifts in and out of a post-bop framework.
The interaction between all four saxes in the line-up is another strong point of the recording. The way in which they intertwine melodic lines and then suddenly enter the same confluence of harmonies adds a gorgeous lightness and warmth to the ensemble’s big sound on tracks like “”Naomh Beagnait” and “Añoranzas Montevideanas.” And then there’s a track like album finale “Elba,” which shows that slowing things down for a ballad does nothing to impede the strengths that mark this excellent debut.
A wonderful recording, start to finish.
Your album personnel: Gonzalo Levin (tenor & soprano saxes, flute), Leonardo Torres (trumpet), Albert Comaleras (alto sax and flute), Miguel “Pintxo” Villar (tenor sax), Marcel·li Bayer (baritone sax), Adrian Ghiardo (piano), Oriol Roca (double bass) and Josema Martin (drums).
Released on Whatabout Music.
Jazz from the Barcelona scene.
Cool album cover, “Reidar goes to Valhalla,” by Mark Redden.
Available at: eMusic | Amazon MP3
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By davesumner • Jazz Recommendations, Jazz Recommendations - 2014 Releases • 3