Jan 9 2020
Now up: November’s Best Jazz on Bandcamp recommendations
And here we go. Let’s do some more catch-up on notifications about my latest Best Jazz on Bandcamp recommendations posting on The Bandcamp Daily. This monthly installment covers albums for November 2019. There’s ten primary recommendations in total, plus some bonus recommendations, to boot. There’s been no let-up on the deluge of new music in 2019, so if you were thinking about maybe settling into a prior month’s purchases, forget about it… you’ve got more excellent new music to discover. I have been saying this same thing nearly every month, and every month it is true.
On that note, let’s begin.

Follow this LINK to read those recommendations and listen to music from each album.
Check out past recommendations by running through my contributor archives.
Have fun going through the list!
Cheers.



The different sound is also reflected on their new album, What’s Next? Released on Clean Feed Records just a few months ago, the quintet’s focused lyricism reveals a different facet to an already interesting group. And where opening track “Influx” is symbolic of those changes to the groups sound, “WLB,” both in concert and on the new recording, show that their eccentricities and sense of humor haven’t gone anywhere. But even in this instance, there’s a different kind of locomotion to the tune, a driving intensity where their previous recording would be more likely to hop and sway and dart side to side. It’s always exciting to hear the evolution of a band, especially when the result is as rewarding as this one.
They are selling their current CD, previous recordings, and related side project recordings at their merch table. For me personally, this was pretty cool. Look, I have lived in the middle of nowhere Kentucky for the last ten years, so seeing an array of Clean Feed Records label recordings spread out on a table before me is no longer the (relatively) common experience it was for me back in Chicago. In addition to their new album, I also scooped up a copy of the ensemble All Included, which counts personal favorite Martin Küchen among its number.
Jan 21 2020
Best of 2019 #58: Avram Fefer Quartet – “Testament”
Your album personnel: Avram Fefer (alto & tenor saxophones), Marc Ribot (electric guitar), Eric Revis (acoustic bass), and Chad Taylor (drums).
Released on Clean Feed Records.
Music from New York City.
I wrote about this album for The Bandcamp Daily.
Listen | Read more | Available at: Bandcamp – Amazon
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By davesumner • Recap: Best of 2019 • 0 • Tags: Avram Fefer, Best Jazz of 2019, Chad Taylor, Clean Feed Records, Eric Revis, Marc Ribot, New York City