Marta Sanchez

Jan 28 2020

Best of 2019 #28: Wing Walker Orchestra – “Hazel”

 

Of the various influences referenced by band leader Drew Williams as shaping this album (tUnE-yArDs, Jóhann Jóhannsson, Radiohead, the graphic novel Saga), it’s that of Guillermo Klein’s ensemble Los Guachos that speaks to the heart of Hazel.  For this is folk music, through and through.  Yes, the Wing Walker Orchestra gives voice to a futuristic type of folk music, one perhaps whose roots haven’t yet taken hold in the soil.  But in much the same way that Guillermo Klein does with the materials of modern jazz and Argentinian musics, Drew Williams’ ensemble draws a poignancy and epic expressionism from their own influences, and imbue their music with a quality that is much more than just jazz or folk and yet undeniably both.  The lyricism of Hazel possesses a strange allure, in that way misshapen objects command the attention and redefine the concept of beauty.  Ultimately, it may this characteristic that captures the essence of the album’s winning personality.

Your album personnel:  Drew Williams (bass clarinet), Marta Sánchez (piano), Brad Mulholland (alto sax, clarinet), Eric Trudel (tenor sax), John Blevins (trumpet), Danny Gouker (trumpet), Karl Lyden (trombone), Nick Grinder (trombone), Jeff McLaughlin (guitar), Adam Hopkins (acoustic bass) and Nathan Ellman-Bell (drums).

Released on Ears & Eyes Records.

Music from Jersey City, NJ.

I wrote about the album for The Bandcamp Daily.

Cool cover art by Brendan Culp.

Listen | Read more | Available at:  Bandcamp – Amazon

By • Recap: Best of 2019 • 2 • Tags: , , , , ,

Jan 21 2020

Best of 2019 #56: Marta Sanchez Quintet – “El Rayo de Luz”

 

Choppy waves jostle the boat and they crash loudly upon the shore and move at brisk speeds that defy the tranquility of a serene lake, and, yet, if those waves were composed by Marta Sánchez, that lake would still elicit a powerfully hypnotic effect.  The pianist has a talent for setting melodies free in a turbulent environment, and yet attaining a flow like the sweetest song.  Her 2015 release Partenika was proof of that talent in the strongest sense, perhaps captured most vividly in the staying power of the melodies, and how some had an almost timeless quality to them, even as they were framed by compositions that were clearly made from the stuff of the present day.  Her 2019 release El Rayo de Luz continues in that vein, but diverges where Sánchez focuses more of her attention on the nuance of those waves, and how tiny permutations effected at just the right moment make the biggest splash.

Your album personnel:  Marta Sánchez (piano), Roman Filiu (alto sax), Chris Cheek (tenor sax), Rick Rosato (bass), and Daniel Dor (drums).

Released on the Fresh Sound New Talent label.

Music from New York City.

I wrote about this album for The Bandcamp Daily.

Cool album cover artwork by Alicia Martin Lopez.

Listen | Read more | Available at:  Amazon – Bandcamp

By • Recap: Best of 2019 • 0 • Tags: , , , ,

Jan 9 2020

Now up: November’s Best Jazz on Bandcamp recommendations

 

And here we go.  Let’s do some more catch-up on notifications about my latest Best Jazz on Bandcamp recommendations posting on The Bandcamp Daily.  This monthly installment covers albums for November 2019.  There’s ten primary recommendations in total, plus some bonus recommendations, to boot.  There’s been no let-up on the deluge of new music in 2019, so if you were thinking about maybe settling into a prior month’s purchases, forget about it… you’ve got more excellent new music to discover.  I have been saying this same thing nearly every month, and every month it is true.

On that note, let’s begin.

Follow this LINK to read those recommendations and listen to music from each album.

Check out past recommendations by running through my contributor archives.

Have fun going through the list!

Cheers.

By • Announcement - Music, Jazz Recommendations - 2019 • 0 • Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

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