Glasgow (Scotland)

Jan 29 2020

Best of 2019 #23: Graham Costello’s STRATA – “Obelisk”

 

On his debut album, Graham Costello attains a massive sound.  Each time I’ve listened to this album over the course of 2019, inevitably I shake my head in disbelief that it’s merely a sextet that generates this much energy.  But it’s more than just a big sound that distinguished Obelisk as something special; it’s the melodic intensity, and how it remains focused over a duration of nearly an hour and fifteen minutes of music.  Each piece clocks in, on average, at ten minutes in length, and there’s never a moment where the drummer’s STRATA ensemble wavers or meanders off or takes their eye off some distant spot on the horizon that represents the tune’s endpoint.  It’s driven music, and while the melody changes under this constant pressure, it’s never so much that it deviates from its original voicing.  It’s a remarkable feat just by way of this accomplishment, but how it lends to a dramatic listening experience is what elevates this recording up to a higher esteem.  I ended my write-up for The Bandcamp Daily by saying, “And drummer Graham Costello doesn’t let up for the entirety of his debut; the unrelenting waves of cinematic imagery accrue an intensity that never seems to level off, even after the last note has faded.”  And, really, that’s the best way to end it here, too.  This album has been in constant play on my stereo, and the impact of the music hasn’t lessened, not even a little.

Your album personnel:  Graham Costello (drums), Harry Weir (tenor sax), Liam Shortall (trombone), Fergus McCreadie (piano), Joe Williamson (guitar), and Mark Hendry (bass).

The album is Self-Produced, and released as BPQD Records.

Music from Glasgow, UK.

I wrote about the album for The Bandcamp Daily.

Cover art by Graham Costello.

Listen | Read more | Available at:  Bandcamp – Amazon

By • Recap: Best of 2019 • 4 • Tags: , , ,

Apr 23 2019

The Round-up: This is where we’re at

 

Here is some very good new music

 

Anat Fort Trio – Colour (Sunnyside Records)

There’s a comforting fireplace presence to the latest from Anat Fort, and in the way she brings a melody to light, there’s also a hypnotic effect not unlike the flickering motion of flames dancing off the surface of wood.  Influences of modern jazz, blues, gospel and folk shift back and forth, exerting their influence just enough to be felt, while maintaining an equilibrium between the different forms of expression that color the album’s pieces.  This is music that will fit any time or place.  Long-time collaborators bassist Gary Wang and drummer Roland Schneider contribute to this session, and thus continue a long and fruitful partnership with Fort.  Music from Tel Aviv, Israel.

Artist site | Buy:  Bandcamp – Amazon

 

Fergus McCreadie Trio – Turas (Self-Produced)

A really strong debut from Fergus McCreadie.  The pianist lets the melody speak with a bold voice, and then lets it linger long after his trio has begun seeing where it will take them.  That kind of resonance especially pays off when they circle back to the opening statement, and so there’s a satisfying sense of returning home.  Along with bassist David Bowden and drummer Stephen Henderson, McCreadie’s trio sticks primarily to a modern straight-ahead sound for piano trio, a style particularly represented by Brad Mehldau.  And that works to this music’s favor, where harmonic potential is the doorway to melodic exploration.  This is actually the second time recently that McCreadie has made an appearance in a Round-up column.  Music from Glasgow, Scotland.

Artist site | Listen | Buy:  Bandcamp – Amazon

 

Elisha, Carter, Harlos & Elisha – Before or After (EYEtone Records)

What carries this album along is the way in which a focused intensity is maintained even during the performance’s sparsest moments.  Pianist Haim Elisha, wind instrumentalist Daniel Carter, bassist Jeremy Harlos and drummer-percussionist Ehran Elisha exhibit a chamber sensibility in the course of free improvisation roaming tendencies, and it creates fertile soil in which to nurture the natural tension created by shaking free of a self-imposed structure.  Music from NYC.

No artist site | Listen | Buy:  Bandcamp

 

Max Johnk Quartet – allweather (Self-Produced)

There’s all kinds of straight-ahead goodness on the sophomore release from Max Johnk.  The bassist and his quartet with tenor saxophonist Chris Schuster, trombonist Steve Wallevand and drummer Joel Beseler-Thompson find the right balance between melodic warmth and rhythmic heat, and gets it to where one feeds off the other in an unending cycle of lively energy.  Those interactions between the musicians when they’re all moving in different directions while keeping a tight center of focus to make the motion seem completely in sync is when the quartet shines strongest.  Music from Fargo, North Dakota.

Artist site | Listen | Buy:  Bandcamp

 

Kliment Angelovski Trio – Inquistion (PMG Recordings)

Well, this is a fun and intriguing session.  Guitarist Kliment Angelovski, accordionist Gjorgji Serafimovski and percussionist Mihail Parushev have created an album that has a presence as thick as a fog, and just as ethereal.  There’s a looseness to the delivery that is plenty appealing, and just the nature of its unconventional sound makes it tough to stop listening.  It appears this session was recorded back in ’96 and just now seeing the light of day.  Not sure exactly, but I definitely wanted to get a quick mention in.  Music from Macedonia.

Artist site | Listen | Buy:  Bandcamp

 

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Mar 21 2018

The Round-up: The path to you

 

Here is some very good new music.

 

Indigo Kid – III: Moment Gone In the Clouds (Babel Label)

Dan Messore’s Indigo Kid unit keeps switching things up, and every damn time the changes kick up all kinds of interesting developments.  For the third installment, much of the quirky, angular expressionism is swapped out for a free flowing lyricism.  The guitarist also brings in a new line-up with flautist Gareth Lockrane, bassist Calum Gourlay and drummer Tim Giles.  The addition of Lockrane has the most obvious effect on the transformation in sound from previous albums to the current one, but if it weren’t for the Gourlay’s and Giles’ ability to keep light on their feet while adding depth to the melodies, the music might get so light as to be insubstantial.  Instead, the feathery presence unleashes the presence of a bird in flight, wings flapping mightily as it soars effortlessly skyward.  Music from London.

Artist site | Listen | Buy:  Bandcamp – Amazon

 

Kelp – Intake (Self-Produced)

I can’t help but like this album.  Its raw energy and wild enthusiasm are pretty damn addictive.  Intake is a recording that is likely to make you react with an amused smile and a jaw dropped to the floor.  The hyperactive piano trio Kelp starts out the album slow, then gradually acquires a head of steam that sees them hurtling to the finish line like runaway train that left the tracks encased in a ball of flame.  And exploding.  Definitely some explosions should get included in the metaphor.  Crazy fun music from Fukuoka, Japan.

No artist site | Listen | Buy:  Bandcamp

 

The Mo’ Times – The Mo’ Times (Self-Produced)

The Mo’ Times really sink their teeth into a classic hard bop sound.  Plenty of warmth and exuberance generated by this quartet of saxophonist Mickaël Pernet, pianist Jules Le Risbé, bassist Charles Huck and drummer Valentin Jam, and it’s catchy as hell.  Their reference of McCoy Tyner’s “Passion Dance” during an interlude of their own “Garlix Blues” and the opening stanzas of “Les Indiens” is probably all you need to know about how this quartet’s heart beats.  So much fun.  Music from Montpellier, France.

Artist site | Listen | Buy:  Bandcamp

 

Dreaming of White Horses – Dreaming of White Horses (Self-Produced)

There’s an appealing laid-back feel to the self-titled debut from Dreaming of White Horses.  Front and center is how soprano sax and fiddle fall into a comfortable lyrical embrace.  Guitar, piano, bass and drums circle around, occasionally enfolding the pair, and creating an ebb and flow of nuanced intensity that makes all the difference.  That the temperature perpetually hovers near fireplace cozy is why the music is always just a little bit lively and just enough conversational to ever let things devolve into sleepy territory.  Easy to like this one.  Music from Glasgow, Scotland.

Artist site | Listen | Buy:  Bandcamp

 

Chris Whiter – Encapsulation (Self-Produced)

There’s an enveloping moodiness to this experimental work from Chris Whiter.  Joined by tenor saxophonist Riley Stone-Lonergan and pianist Vince Webb, Whiter infuses live electronics into the mix with his own baritone sax and bass flute.  The deeper tones present some startling contrasts with the electronic frisson and effects, as well as the burgeoning tension from his counterpart’s instruments.  The pattern is a melody slowly emerging from a steady pulsing drone, as if a dream of harmony transforming into a brand new melody.  Music from London.

Artist site | Listen | Buy:  Bandcamp

 

By • Jazz Recommendations - 2017 releases • 0 • Tags: , , , , , , , , , , ,

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