Feb 12 2020
When I originally wrote about Stepping Back, Jumping In for The Bandcamp Daily, I talked about how Laura Jurd has hopscotched around the modern jazz landscape, from the chamber jazz of her debut Landing Ground, to the intoxicating mix of brass harmonies and indie-rock tunefulness on Human Spirit, and the electronic fusion she explores with her ensemble, Dinosaur. On Stepping Back, Jumping In, it’s as if Jurd has taken a survey of all she’s done before, and created a cohesive landscape from its components. The end result is something entirely different, completely new, and arguably her most fascinating work to date.
I become more impressed with this recording the more I listen to it. It also reveals more sources of enjoyment. It’s a recording that rewards a listening state of full engagement, with its tiny surprises and masterful subtleties just waiting to be discovered. But there are times I just let it all go, immersing myself in daydreams or kicking back with a new book, and even in my state as a detached listener, the music sweeps me off to a new place. It’s presence is that strong. It’s sway is even stronger.
It’s been a treat hearing Jurd’s development over the years, and after this retrospective statement, the curiosity for what comes next is already burning strong.
Your album personnel: Laura Jurd (trumpet), Raphael Clarkson (trombone), Alex Paxton (trombone), Martin Lee Thomson (euphonium), Soosan Lolavar (santoor), Rob Luft (banjo, guitars), Elliot Galvin (piano), Anja Lauvdal (synth, electronics), Conor Chaplin (double bass), Liz Exell (drum kit), Corrie Dick (drum kit), and The Ligeti Quartet of Mandhira de Saram (violin), Patrick Dawkins (violin), Richard Jones (viola), and Cecilia Bignall (cello).
Released on Edition Records.
Music from London, UK.
I wrote about the album for The Bandcamp Daily.