Jan 28 2020
Best of 2019 #27: Caroline Davis – “Alula”
It’s not like Caroline Davis sits still very long. The saxophonist has an eclectic array of projects, and spread out across the vast modern landscape of jazz expressionism. There’s the post-bop brilliance (and Chicago-hip name) of her Pedway ensemble, her contributions to the post-rock jazz of Whirlpool, her sonic documentary Doors: Chicago Storylines, and her ballad-as-ignition-switch 2018 release Heart Tonic. Her latest, however, treats all previous projects like they were standard straight-ahead sessions, and now this is when she really stretches out. By way of comparison, it’s how things shake out. This excellent electro-acoustic trio set with drummer Greg Saunier and keyboardist Matt Mitchell is a massive upheaval of melodies, of harmonies shattered like glass, and rhythms that dance on the shards while laughing. This album surprises with loving melodies that break through the clearing, or when it unexpectedly settles into a cadence with the rhythmic quality of crickets chirping loudly at the moon on a clear night. It is crazily tuneful, even when at its most chaotic. It’s serious business, but its only business is having fun. It is the end of ever thinking you know what to expect from a Caroline Davis recording. Alula is one of the very best recordings of 2019.
Your album personnel: Caroline Davis (alto saxophone, voice), Matt Mitchell (Prophet 6 synthesizer, modular synth, ARP synthesizer), and Gregory Saunier (drums, percussion, voice).
Released on New Amsterdam Records.
Music from Brooklyn, NY.
I wrote about the album for The Bandcamp Daily.
Cool album cover art by Robert Pollard.
Jan 29 2020
Best of 2019 #26: Quinsin Nachoff’s Flux – “Path of Totality”
Your album personnel: Quinsin Nachoff (tenor & soprano saxophones), David Binney (alto sax, C melody sax), Matt Mitchell (piano, Prophet 6, modular synthesizer, Novachord, harpsichord, Estey pump harmonium), and guests: Kenny Wollesen (drums, Wollesonic percussion), Nate Wood (drums), Jason Barnsley (1924 Kimball theatre organ), Mark Duggan (marimba, vibraphone, glockenspiel, crotales, Tibetan singing bowls), Carl Maraghi (baritone saxophone, bass clarinet), Dan Urness, Matt Holman (trumpets), Ryan Keberle (trombones), Alan Ferber (trombone, bass trombone), Orlando Hernández (tap dance), and David Travers-Smith (Buchla 200E analog modular system, EMS Synthi 100 analog/digital hybrid synthesizer, Arp Chroma (Rhodes) analog synthesizer, clavioline, Oberheim SEM, modular Moog).
Released on Whirlwind Recordings.
Music from New York City.
I wrote about the album for The Bandcamp Daily.
Listen | Read more | Available at: Bandcamp – Amazon
Like this:
By davesumner • Recap: Best of 2019 • 0 • Tags: Best Jazz of 2019, David Binney, Kenny Wollesen, Matt Mitchell, New York City, Quinsin Nachoff, Whirlwind Records